Jane Hamlin describes herself as a sixty-nine-year-old former
child advocate and, in today's rueful jargon, a "displaced homemaker." But
also a philosopher, and a poet, she adds.
She's a philosopher, Hamlin says, because from earliest
memory she has wanted to know: "Why? How? What's happening?" And she is a
poet, she says, because she has always felt the need "to find words for
unspeakable feelings."
She remembers her younger
brother, Johnny, telling her comfortingly, "You are not the average All-American
girl." But she also recalls, more achingly, in the sixth grade all the other
girls on the playground chanting, "S.C.! S.C.!"-meaning "Solitary
Confinement!"-in their refusal to include her.
"Am I ugly?" she remembers
asking herself. "I had freckles, wore glasses and orthopedic shoes. But I
know now it was my sadness that drove them away."
Hurt deeply by having an
absent father, a clinically depressed mother, and an abusive uncle-much more
deeply than she would realize for a very long time-"like similar lost people,
I never had a childhood," Hamlin relates. "I was a little adult and an
uncomfortable older adult. The world was not as it should be if good will
prevailed."
"Having little structure
at home, I found a haven in school where I thrived on its predictability.
Asking questions and learning was valued, and there always seemed to be answers.
But in social situations, I was a misfit, often becoming confused and speechless.
"In college, I chose a
major in sociology, a minor in philsophy, but took every English literature
and writing course I could cram in, not conscious at the time that this was
what my creative self really craved.
"Aside from skating and
dancing, which I sensed were in tune with my deepest inner rhythms, and
soccer-the only team sport I ever loved, not for the winning but for the
running-I never learned to just play.
"But I did learn well how
to wait. Waiting became my mode-someday, I told myself. If I stayed safe,
took few risks, said and did little that might be criticized, if I had no
rough edges, others could slip by me. I would become invisible, unthreatening,
'nice.'
"Of course, waiting became
tantamount to collaboration with the enemy-my hidden self. Though my heart
often trembled, I wore a mask of calm.
"I married late, infinitely
tired, and for all the wrong reasons. I loved his hands and his smile, wanted
to be touched, but did not know how to touch. I got what I paid for-no rewards
except for three beautiful children, part of my longing, however undeserved.
Still, they were easy to love, and I felt reverent toward them. I thought
I could be a better mother than I had been a wife.
"When we moved for the
fifth time in as many years to a house with a magnificent view but in another
strange city, three thousand miles away from everyone I loved, I wrote a
poem:
If you find me not within these walls,
Look out upon the hills.
I have encircled me only from necessity...
My heart is in the highlands,
riding with the wind.
I fill my eyes with salmon dawn and silver eve,
Wanting to believe I am not bound
by this surround...
My soul is o'er the
valley,
resting on the wind.
"This was self-acknowledgment," Hamlin says, "clearly
a time to fly, but my wings were rusty, and I fell instead into the escape-hole
of drinking too much wine, to oblivion. Shadow Woman, a peak in Wyoming-me.
Obscured by clouds of my own making, I hid from my beloved children as well-until
confronted. From addiction therapy, I dared venture back to the field in
which I'd earned my Master's in social work-counseling others. But this newly
self-assertive me was no one my husband recognized or wanted to see. The
struggle had taken its toll. I had waited too long. When he left, I heard
clang again, as in a recurring nightmare, the iron bars of 'solitary
confinement.'"
"With my children grown and happily away, when I subsequently
lost my job in a federally sponsored pilot program whose funds had run out,
and at age sixty-four seemed obsolete, I lost the final bolster of feeling
'useful.'
"In a turbulent river, could I find a quieter place
downstream to swim ashore? Whom to love? Whom to touch? Could I just finally
be? There was still a feast before me-was I to be kept from it like the gluttons
of Dante's Inferno, my hands chained?
"Could I see I wasn't bound-unless in a cage of my own
imagining? Could I, who had always sought permission, free myself, give myself
permission at last-to eat what and when I wanted, to sleep whenever I chose,
to read endlessly, to play, to go back, if need be, to recover my lost childhood?
"I still have a passion
for investing in children, to see that they're encouraged from early on to
believe in themselves, to say-in time-what they need to hear of their uniqueness,
to abet their respect for others, but, even more, to value themselves, to
step-by-step become human beings in the best sense of the word.
"Can I do this for myself as well?
"With my grandson, I am revisiting childhood awe,
rediscovering sing-song rhymes, pretending not to understand Monopoly so
he can 'explain' it to me, reading fairy tales as if I've never heard them
before, and 'oohing and aahing' as we watch Pinocchio. I am completely captivated
by him. He brings me 'gifts'-pine cones, shiny stones that have caught his
eye, and one day even a dead and bloody duckling! He is truly present. We
touch.
"Even without his company, I am delighted at sensuous
awakenings. Sometimes I buy myself shrimp, a 'sinful' self-indulgence, sometimes
giant Hershey almond bars! I shuffle through autumn leaves, pick them up
and give them to myself, just for their unique shapes and colors, as I used
to bring them home, a bouquet for my mother. Having no one else to call on,
I happily hammer and nail. I change light bulbs with serene confidence.
"I follow my heart, not my head-my feelings, not my thoughts.
I am drawn to the simplest pleasures-geese winging across the changing sky,
raindrops on roses, the sound of my children's voices. I melt with the snow
and play with frisking dogs.
"I look into each passing face and accept others for
who and where they are in time, not needing them to accept me-though with
an old stubbornness, I must confess, I still look for those who seem to have
an inner life.
"How far have I traveled in this new direction? I no
longer count the years. I've been told I don't look my age, but that's because
I've 'never lived in my face' before-the Irish in me, I excuse myself.
"But my soul is as old and as new as the millennium.
This year I am two thousand years old, celebrating all I know of this
time-span-space and time I've learned from Einstein. I welcome that space
is my new marker-though not cyberspace, an enigma to me.
"I welcome silence from the voice that used to cry wait.
I start each day searching the sky for all its portent. I light candles and
simmer cinnamon sticks on the stove. I listen to my cherished classical records
and to the Beatles, turned up as loud as I please, not just because I am,
indeed, getting a little deaf, but to let the music possess me-take me all
the way to Porphyry's spheres. I am comfortable with mystery. I postulate
that if God is, hopefully, not a huge computer, then I'm sure He's a great
musician!
"I write poems to what I see and love. I write down
for my children all that touches me. And I've given up planning. Today, I
think, I'll just be...a tree, if I like.
"I'll pretend I'm the first person in the world, besides
Kilmer, to discover the wonder of trees. Today, I'll identify with that lonesome
pine. I'll hold up my piece of sky, seek the sun, turn to the light, draw
sustenance from a land that seems barren but has given me life.
"I'll testify to persistence and offer my frugal
shelter if there be those who need it. If none, then I will stand alone.
My roots are deep; I am firmly grounded; I may bend in the wind, but I will
not fall.
"I will, of course, someday be gone. I will die, but
then I hope my loved ones will honor the place where I once stood, their
landscape now, and be comforted that I have finally found all that I
sought-acceptance and peace. Perhaps my oldest son will remember that I once
bought him a T-shirt inscribed, 'Be patient with me. God isn't finished with
me yet.'
"I wear that T-shirt now."
This article is excerpted from Lionel Fishers new book,
Celebrating Time Alone: Stories of Splendid
Solitude (Beyond Words Publishing, Spring 2001), which
records the emotional and spiritual triumphs of men and women who have found
amazing grace alone. At a time when more of us than ever are living
alonean estimated 40 million Americans at the turn of the centurywe
continue to seek our happiness and fulfillment, our answers, our very identity
in others, points out the author. His book affirms that its all
right to be alone, to want to be alone, even to be lonely at times because
the rewards of solitude can make the deprivations so worthwhile. Fisher,
who also writes a newspaper column on the art of being alone. Reach
him at
beachauthor@hotmail.com.
© 2001 Lionel L. Fisher. Reprinted with permission of author
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